Banana Tree Dedication Plate | Antique Banana Tree Botanical Engraving Canvas Wall Art Print
- Museum-quality giclée canvas prints
- Choose rolled, stretched, or framed
- Arrives ready to hang (framed options)
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. Every print is produced on archival canvas and comes ready to go up.
Stretched, ready to hang
Your canvas is stretched on a timber frame with the hanging wire already attached. Clean, frameless gallery look.
Floating frame
The stretched canvas sits inside a slim timber frame in white, black, natural or silver, with a small shadow gap around the edge. Delivered framed and ready to hang.
Rolled canvas
Just the printed canvas, rolled in a tube, if you would rather have it framed locally.



How our prints are made
- Museum-quality giclée print on heavy-duty archival canvas, using pigment inks that will not fade.
- Stretched on a thick timber frame with the hanging wire attached, so it goes straight onto the wall.
- Made to order in Australia and delivered in about 10 to 14 days.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
A single banana tree stands upright in the centre of a cream, aged-looking sheet, drawn in fine black line engraving with soft sepia shading. A thick trunk rises from a small mound of earth and opens into large, drooping leaves with visible ribbing. A hanging flower spike with a cluster of small young bananas droops on the left, and a little sapling grows beside the base.
At lower right sits a decorative crest with a checked shield, a lion and a crown, above a flowing script dedication: "To His Grace the Duke of Chaulnes, President of the Royal Academy of Sciences at PARIS &c." Small captions in the top corners read "Plate 16" and "Page 184", and a tiny engraver's line runs along the bottom edge. The look is eighteenth-century scientific illustration.