Crimson Mosaic | Red Textured Abstract Mosaic Squares Oil Painting
- 100% hand-painted oil on canvas
- Delivered Framed & Ready to Hang!
- We stretch (Gallery Wrap) every canvas
- Hanging wire is attached to the back
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. You only need to pick one, and the painting arrives ready for the wall.
Option 1. Outer frame, delivered framed
A gold ornate, silver ornate, modern flat black or modern flat gold frame around the stretched painting. Delivered framed and ready to hang.
Option 2. Gallery wrap, stretched and ready to hang
The frameless modern look. The canvas is stretched on a timber frame with the painted edge wrapped around, and the hanging wire is attached on the back.
Option 3. Rolled canvas, frame it yourself
The painting comes rolled in a protective art tube so you can take it to your local framer.





How our paintings are made
- 100% hand-painted in oils on canvas by university-trained professional artists. No prints, no computer-generated technique.
- Painted to order for you, then stretched or framed and checked before dispatch. Allow 21 to 28 days.
- Proofs on request. Our artists rarely need changes, but if you would like to see your painting before it ships, just ask.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
About Crimson Mosaic
The canvas is filled edge to edge with small squares and rough rectangles laid down with a palette knife, packed together like tiles on a wall. Each block sits slightly apart from the next, with narrow black and deep maroon gaps running between them so the grid never becomes rigid. Colour shifts across the width: deep blood reds along the left and right edges, warming through scarlet to hot orange and near-yellow through the middle band, where the paint catches the most light.
Texture carries the work. Ridges of thick paint sit up off the surface at the knife edges, and thinner scrapes let darker underpainting show through. The long panoramic format turns the whole thing into a band of glowing colour rather than a single focal point.
Built for a long wall: above a three-seater sofa, along a hallway, or over a sideboard in a dining room. The red reads strongest against white, pale grey or charcoal walls, and sits well with black metal, dark timber and leather. Pair with warm lamp light and keep surrounding decor quiet. Browse more knife paintings, red art, contemporary art.