Roberts | Shearing the Rams

Roberts | Shearing the Rams

Rolled in a Tube - Canvas Only (No Frame) / 60 x 50cm
$299.00
Sale price  $299.00 Regular price 
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Roberts | Shearing the Rams

Roberts | Shearing the Rams

100% Hand Painted
$299.00
Sale price  $299.00 Regular price 
Finish OptionRolled in a Tube - Canvas Only (No Frame)
Size
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  • 100% hand-painted oil on canvas
  • Delivered Framed & Ready to Hang!
  • We stretch (Gallery Wrap) every canvas
  • Hanging wire is attached to the back
  • 100% Money Back Guarantee · Australian Owned
  • Any questions? Please call us on 1300 90 21 53

About Shearing the Rams by Tom Roberts

Tom Roberts painted Shearing the Rams across the summers of 1888 and 1889 in a woolshed at Brocklesby Station, near Corowa on the Murray, finishing it in his Melbourne studio in 1890. He went out there specifically to do it, boarded on the property, and worked from the shearers themselves.

He was explicit about why. Roberts wanted, in his words, to paint the great pastoral life and work of Australia — to give the country's own labour the scale and seriousness that European painting reserved for history and myth. Nobody had really done that here. He chose a shed full of men in singlets with hand blades and made a canvas nearly two metres wide out of it.

The timing was not accidental either. Blade shearing was about to be swept away by machines, and Roberts knew it. The small boy at the centre is the tar boy, whose job was to dab tar on any sheep the blades cut. Critics at the time were unsure what to make of a picture with no story in it. It now hangs in the National Gallery of Victoria and is one of the most recognised images in Australian art.

Shearing the Rams at a glance

  • Artist: Tom Roberts (1856–1931)
  • Painted: 1888–1890, Brocklesby Station, New South Wales
  • Movement: Heidelberg School — Australian Impressionism
  • Original: National Gallery of Victoria, Melbourne
  • Medium: Oil on canvas on composition board, 122.4 × 183.3 cm

Common questions about Shearing the Rams

Where is Shearing the Rams?

The National Gallery of Victoria in Melbourne, which bought it in 1932. It is one of the works most people go to the NGV specifically to see.

Where was it painted?

In the woolshed at Brocklesby Station near Corowa, in southern New South Wales, over two shearing seasons. Roberts stayed on the property and worked from the shearers directly, then completed the canvas back in Melbourne.

Who is the boy in the middle?

The tar boy. When a shearer's blade nicked a sheep, it was the boy's job to dab tar on the cut as an antiseptic. It was the usual entry-level job in a shed and often the first paid work a boy did.

Why is it considered important?

Because it treated Australian working life as a subject worthy of a major painting, at a moment when serious art here still looked to Europe for its subjects. It is also a record of blade shearing in its last years before mechanical handpieces took over the industry.

What is the Heidelberg School?

A group of painters working around Melbourne in the late 1880s — Roberts, Arthur Streeton, Frederick McCubbin and Charles Conder chief among them — who painted outdoors and set out to capture the particular light and colour of the Australian landscape rather than applying European conventions to it. It is usually described as Australian Impressionism.

Own a hand-painted Shearing the Rams

This is not a print. Every painting we sell is reproduced in oils on canvas, by hand, by professional artists — no giclée, no computer-generated technique.

The whole picture is built inside a very narrow band of colour. A shearing shed is timber, wool, dust and skin — ochres, tans, dusty pinks and greys — and Roberts had to make an entire crowded scene legible using almost nothing else, separating one man from the next by the smallest shifts in warm tone. Narrow tonal ranges are exactly where reproduction struggles: compress them even slightly and the close values collapse into each other, so the shed turns muddy and the figures start to merge. Mixed and laid down by hand in oils, those small distinctions survive, and you can read the depth of the shed the way Roberts painted it.

  • A range of sizes — choose yours above. The original is wide, and the composition needs that width to hold the length of the shed.
  • Framed and ready to hang, gallery wrap, or rolled canvas if you would rather frame it yourself.
  • 30-day money-back guarantee, no questions.
  • Free delivery Australia-wide. Australian owned and operated, with a local contact you can actually reach.

Framing Options: You have 3 choices

Option 1. Choose an outer frame - see images below.

You only need to choose one and the painting will be sent to you framed and ready to hang.

Frame choices for hand-painted canvas paintings: gold ornate, silver ornate, modern flat black and modern flat gold

* Below is an example of a customer who chose the Gold Ornate frame

Hand-painted canvas painting in a gold ornate frame hanging in a customer's living room

Option 2: Choose a Gallery Wrap Stretched Painting.

If you want the frameless modern gallery wrap look then you only need to choose Stretched Gallery Wrap from the finish option dropdown.

You receive your stretched gallery wrap painting ready to hang - with a hanging wire attached behind.

Gallery wrap stretched canvas paintings ready to hang

The back of the Stretched Gallery Wrap looks like the image below - it has a hanging wire!

Back of a gallery wrap canvas showing the stretcher bars and attached hanging wire

Option 3: Choose Canvas Only if you want to frame the painting yourself.

Your painting will be sent to you in an art tube - you can then frame it yourself or take it to your local framer.

Hand-painted canvas rolled in a protective art tube for shipping

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