John Constable | The Hay Wain
- 100% hand-painted oil on canvas
- Delivered Framed & Ready to Hang!
- We stretch (Gallery Wrap) every canvas
- Hanging wire is attached to the back
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. You only need to pick one, and the painting arrives ready for the wall.
Option 1. Outer frame, delivered framed
A gold ornate, silver ornate, modern flat black or modern flat gold frame around the stretched painting. Delivered framed and ready to hang.
Option 2. Gallery wrap, stretched and ready to hang
The frameless modern look. The canvas is stretched on a timber frame with the painted edge wrapped around, and the hanging wire is attached on the back.
Option 3. Rolled canvas, frame it yourself
The painting comes rolled in a protective art tube so you can take it to your local framer.





How our paintings are made
- 100% hand-painted in oils on canvas by university-trained professional artists. No prints, no computer-generated technique.
- Painted to order for you, then stretched or framed and checked before dispatch. Allow 21 to 28 days.
- Proofs on request. Our artists rarely need changes, but if you would like to see your painting before it ships, just ask.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
About The Hay Wain by John Constable
Constable exhibited The Hay Wain in 1821. It shows a spot he had known since childhood — the millpond at Flatford on the River Stour in Suffolk, where his father owned the mill. The cottage on the left belonged to a farmer called Willy Lott, who is said to have spent all but a handful of nights of his life in it. It is still standing, and the view is still recognisable.
The wagon is crossing the shallows to soak its wooden wheels, which stopped them shrinking and working loose in dry weather. A dog watches from the bank. In the distance, haymakers are working a meadow in full sun. It is an entirely ordinary working morning, painted at the scale usually reserved for battles and coronations.
London ignored it. Three years later it was sent to the Paris Salon, won a gold medal, and startled French painters — Delacroix is said to have reworked the background of one of his own pictures after seeing it. Its influence ran through the Barbizon painters to the Impressionists. It came back to England unsold, and Constable kept it.
Own a hand-painted Hay Wain
Constable did something to this picture that his contemporaries openly mocked. He flecked small dabs of pure white across the greens — on leaves, on the water, on the wet flank of the horse — to catch and scatter light the way a real landscape does on a moving day. Critics called it Constable's snow. It works only while those flecks stay separate and sharp against the colour underneath; the instant they blur or soften into the green around them, the effect stops being sparkle and becomes haze, and the whole landscape goes flat and dull. That kind of small high-contrast detail is exactly what reproduction rounds off. Put on by hand in oils, the flecks sit crisply on top of the paint below and the light comes back into the field.
- A range of sizes — choose yours above. The original is wide, and the composition needs the width to carry the eye across to the meadow.
- Framed and ready to hang, gallery wrap, or rolled canvas if you would rather frame it yourself.
- 30-day money-back guarantee, no questions.
- Free delivery Australia-wide. Australian owned and operated, with a local contact you can actually reach.