Water Bearer in Violet | African Woman Carrying Clay Oil Painting
- 100% hand-painted oil on canvas
- Delivered Framed & Ready to Hang!
- We stretch (Gallery Wrap) every canvas
- Hanging wire is attached to the back
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. You only need to pick one, and the painting arrives ready for the wall.
Option 1. Outer frame, delivered framed
A gold ornate, silver ornate, modern flat black or modern flat gold frame around the stretched painting. Delivered framed and ready to hang.
Option 2. Gallery wrap, stretched and ready to hang
The frameless modern look. The canvas is stretched on a timber frame with the painted edge wrapped around, and the hanging wire is attached on the back.
Option 3. Rolled canvas, frame it yourself
The painting comes rolled in a protective art tube so you can take it to your local framer.





How our paintings are made
- 100% hand-painted in oils on canvas by university-trained professional artists. No prints, no computer-generated technique.
- Painted to order for you, then stretched or framed and checked before dispatch. Allow 21 to 28 days.
- Proofs on request. Our artists rarely need changes, but if you would like to see your painting before it ships, just ask.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
About Water Bearer in Violet
A single elongated figure stands centred on a square canvas, her body simplified into long dark limbs and a smooth oval head. She wears a violet wrap painted in broad vertical strokes, streaked with white and lilac where the knife has dragged the paint. One raised hand steadies a round terracotta pot at her shoulder; the other arm curves down to hold a second, larger pot at her hip. A white beaded necklace and pale drop earrings catch the light against the near-black skin.
The background is built entirely from short ochre, rust and pale grey knife marks, layered into a warm wall of broken colour with no horizon or setting. The paint sits thickly, so the surface carries real ridges that pick up light across the orange field. The character here is calm and upright: a quiet, stylised figure study that reads as pattern and warmth as much as portrait.
The warm ochre field suits rooms with timber, rattan or leather, and the violet wrap lifts against white, sand or clay-coloured walls. Works well above a sideboard in a dining room, in a hallway, or as a single square above a low bed. Pairs with woven baskets, terracotta pots and brass lamps. Browse more African art, women in art, the Statton Collection.