The Coming Out | Textured Leaf Abstract in Brown and Oil Painting
- 100% hand-painted oil on canvas
- Delivered Framed & Ready to Hang!
- We stretch (Gallery Wrap) every canvas
- Hanging wire is attached to the back
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. You only need to pick one, and the painting arrives ready for the wall.
Option 1. Outer frame, delivered framed
A gold ornate, silver ornate, modern flat black or modern flat gold frame around the stretched painting. Delivered framed and ready to hang.
Option 2. Gallery wrap, stretched and ready to hang
The frameless modern look. The canvas is stretched on a timber frame with the painted edge wrapped around, and the hanging wire is attached on the back.
Option 3. Rolled canvas, frame it yourself
The painting comes rolled in a protective art tube so you can take it to your local framer.





How our paintings are made
- 100% hand-painted in oils on canvas by university-trained professional artists. No prints, no computer-generated technique.
- Painted to order for you, then stretched or framed and checked before dispatch. Allow 21 to 28 days.
- Proofs on request. Our artists rarely need changes, but if you would like to see your painting before it ships, just ask.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
About The Coming Out
The canvas is split across the middle by a straight horizon line. Above it sits a field of cream and apricot, mottled and crackled like weathered plaster, with a few short horizontal bars of ochre and dark brown floating near the upper left corner. Below the line the surface turns deep aubergine brown, worked with vertical drags and small ridges that catch the light. Rising from the lower edge is a single large leaf, painted pale silver-green with fine white veins branching from a central stem.
The mood is quiet and earthy, closer to a wall fresco than a picture of nature. The leaf reads as a gentle symbol rather than a botanical study, lifting out of the dark ground with a soft glow.
Suits a bedroom, hallway or reading corner where warm neutrals already appear. It works against cream, sand or clay-painted walls and sits well above a timber sideboard or a linen bedhead. Pair it with rattan, aged brass lamps and ceramic vessels in matte glazes. The upright shape fills a narrow wall between doorways. Browse more the Statton Collection, brown and earthy art, earthy tones.