Painted Butterfly II | Mottled Butterfly on Grey Canvas Wall Art Print
- Museum-quality giclée canvas prints
- Choose rolled, stretched, or framed
- Arrives ready to hang (framed options)
- Any questions? Please call us on 1300 90 21 53
Framing options
Choose your finish from the options above. Every print is produced on archival canvas and comes ready to go up.
Stretched, ready to hang
Your canvas is stretched on a timber frame with the hanging wire already attached. Clean, frameless gallery look.
Floating frame
The stretched canvas sits inside a slim timber frame in white, black, natural or silver, with a small shadow gap around the edge. Delivered framed and ready to hang.
Rolled canvas
Just the printed canvas, rolled in a tube, if you would rather have it framed locally.



How our prints are made
- Museum-quality giclée print on heavy-duty archival canvas, using pigment inks that will not fade.
- Stretched on a thick timber frame with the hanging wire attached, so it goes straight onto the wall.
- Made to order in Australia and delivered in about 10 to 14 days.
Delivery and guarantee
- Free tracked delivery Australia-wide. GST included, nothing more to pay at the door.
- 30-day money-back guarantee on every order.
- Australian owned, Melbourne-based since 2013, with a local contact you can reach on 1300 90 21 53.
About Painted Butterfly II
A single butterfly sits centred on a flat, pale grey square. Its wings are built from washy, mottled tone rather than line: the upper pair fades from cream and white at the outer edges into olive and khaki, with faint vertical streaking like watered-down ink. The lower pair is much darker, a speckled charcoal and black that breaks into grain and small pale flecks. Each wing carries a cut-out shape, oval above and a clean round circle below, left open in white. A thin off-white halo traces the whole silhouette.
The body is a narrow dark spine with a small tufted head and two fine antennae that curve up and end in tiny pointed tips. Colour sits in soft, uneven patches with visible dry-edged texture, so the insect reads as a specimen study loosened into abstraction. The overall character is quiet and symmetrical, more decorative natural history than literal illustration.
Works in a bedroom above a low chest, in a bathroom with grey tiles, or in a hallway where a small square piece suits. The flat grey ground sits well with white walls, linen bedding, pale oak and rattan. Pair it with other insect or botanical squares in a two or four-piece grid, or hang it alone above a desk. Browse more silver and grey art, brown and earthy art, multi-coloured art, or read Art above the bed: what size and how high.